What is another word for voids?

Pronunciation: [vˈɔ͡ɪdz] (IPA)

Voids are empty spaces or holes that exist in different materials, structures, or systems. There are several synonyms for the word voids, including gaps, hollows, cavities, emptiness, vacuities, spaces, and holes. Each of these words can be used interchangeably with voids depending on the context of the sentence. "Gaps" refer to an opening or space where something is missing or lacking. "Hollows" suggest concave spaces that are empty or without substance. "Cavities" are holes or hollow spaces within a body or material. "Emptiness" refers to a lack of substance or content. "Vacuities" are spaces that are empty or devoid of anything. "Spaces" refer to gaps, openings, or areas that can be filled. "Holes" are openings or gaps that could be filled.

What are the paraphrases for Voids?

Paraphrases are restatements of text or speech using different words and phrasing to convey the same meaning.
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What are the hypernyms for Voids?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

Usage examples for Voids

Without me, you would even now be spinning in the vasty voids, a chrome-trimmed sepulcher.
"Once a Greech"
Evelyn E. Smith
Enough water should be sprinkled on to wash in and fill all voids between the broken stones with binding material and to leave such material damp enough to insure a set.
"The Future of Road-making in America"
Archer Butler Hulbert
Their going left in the two great houses, monstrous voids that might never be filled.
"A Fool There Was"
Porter Emerson Browne

Famous quotes with Voids

  • Emotion is often what we rely upon to carry us across the unfathomable voids in our intelligence.
    Bryant H. McGill
  • All sins are attempts to fill voids.
    Simone Weil
  • All sins are attempts to fill voids.
    Simone Weil
  • The voids that cannot be filled need to be shielded.
    Siddharth Astir
  • I do differ from you radically in respect to ; for I always demand close correlation with the landscape & historic stream to which I belong, & would feel completely lost in infinity without a system of reference-points based on known & accustomed objects. I take complete relativity so much for granted, that I cannot conceive of anything as existing in any recognisable form. What gives things an aspect & quasi-significance to us is the fact that we view things consistently from a certain artificial & fortuitous angle. Without the preservation of that angle, coherent consciousness & entity itself becomes inconceivable. Thus my wish for freedom is not so much a wish to put all terrestrial things behind me & plunge forever into abysses beyond light, matter, & energy. That, indeed, would mean annihilation as a personality rather than liberation. My wish is perhaps best defined as a wish for , yet without loss of the familiar background which gives all things significance. I want to know what stretches , & be able to all the gulfs & dimensions beyond Space & Time. I want, too, to juggle the calendar at will; bringing things from the immemorial past down into the present, & making long journeys into the forgotten years. But I want the familiar Old Providence of my childhood as a perpetual base for these necromancies & excursions—& in a good part of these necromancies & excursions I want certain transmuted features of Old Providence to form part of the alien voids I visit or conjure up. I am as geographic-minded as a cat— are everything to me. Long observation has shewn me that no other objective experience can give me even a quarter of the kick I can extract from the sight of a fresh landscape or urban vista whose antiquity & historic linkages are such as to correspond with certain fixed childhood dream-patterns of mine. Of course my twilight cosmos of half-familiar, fleetingly remembered marvels is just as unattainable as your Ultimate Abysses—this being the real secret of its fascination. Nothing really known can continue to be acutely fascinating—the charm of many familiar things being mainly resident in their power to symbolise or suggest unknown extensions & overtones.
    H. P. Lovecraft

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